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Formations du sujet lyrique dans les écrits d'Elizabeth Bishop

Abstract : This study examines the way Elizabeth Bishop's writings probe the world's seeming familiarity, how through various strategies of defamiliarization they reveal to the reader the hidden surprises of the ordinary, and how the lyrical subject relates to the world. As the strange and the shapeless surface within the intimate and the familiar, the persona gains access to a better and more authentic understanding of his-her own self. Bishop's writing relentlessly questions the stability of reality, including that of the self. It seems that the only knowledge available is that of uncertainty and contingency. Her voice is therefore necessarily singular and isolated, being itself in perpetual mutation. In order to maintain itself, her subject is constrained to rely on its own ephemeral and limited nature, as well as on external and internal alienation. Echoes and techniques of proliferation are construed to achieve that aim. Yet those techniques keep ! bringing the subject back to the lack, the absence, the gaps they are meant to bridge and cover up. Finally, this analysis explores the relationship between loss and creation: how creation is fueled by loss and how the reader is drawn into Bishop's writing thus ensuring the persistence of creation.
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Lhorine Mollet-François. Formations du sujet lyrique dans les écrits d'Elizabeth Bishop. Littératures. Université de la Sorbonne nouvelle - Paris III, 2009. Français. ⟨NNT : 2009PA030122⟩. ⟨tel-00944554⟩

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