. Ibid and . And, with its exquisitely painted figures and the faint KA?O? finely traced upon its side, and behind it hangs an engraving of the 'Delphic Sibyl' of Michael Angelo, or of the 'Pastoral' of Giorgione Here is a bit of Florentine majolica, and here a rude lamp from some old Roman tomb. On the table lies a book of Hours, 'cased in a cover of solid silver gilt, wrought with quaint devices and studded with small brilliants and rubies,' and close by it 'squats a little ugly monster, a Lar, perhaps, dug up in the sunny fields of corn-bearing Sicily.' Some dark antique bronzes contrast 'with the pale gleam of two noble Christi Crucifixi, one carved in ivory, the other moulded in wax.' He has his trays of Tassie's gems, his tiny Louis-Quatorze bonbonnière with a miniature by Pettitot, his highly prized 'brown-biscuit teapots, filagree-worked

. Ibid, « I used to live entirely for pleasure. I shunend sorrow and suffering of every kind. I hated both. [?]They were not part of my scheme of life, pp.633-1023

. Ibid, « I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great Art, p.634

D. Qui and . Dieu, Amour mettant sa confiance, Croyait que pour l'amour les êtres sont créés, -- Alors que la Nature

. Qui-aima, . Qui-souffrit-des-tourments-innombrables, . Qui-lutta-pour-le-vrai, . Pour-le-juste, and . Le-bien, Doive être un jour muré sous les roches d'airain, Doive

C. Qu, il devient un esprit conscient Où la sûre mémoire a pu prendre naissance, Quand, de ce corps où meurt l'effort de sa puissance

C. Thomas and E. R. Waldo, The Correspondence of Thomas Carlyle and Ralph Waldo Emerson 1834-1872, 2007.

C. Thomas and C. Works, Volume V: Life of Friedrich Schiller, 18251872.

C. Thomas and S. Resartus, la philosophie du vêtement, traduit par Louis Cazamian, Éditions Aubier Montaigne, coll. bilingue des classiques étrangers, 1973.

C. Thomas, The French Revolution, 1855.

C. Lewis, Alice au pays des merveilles, traduit par Henri Bué, 1869.

C. Lewis, The Complete Illustrated Lewis Carroll, Londres : Wordsworth Library Collection, p.1232, 2008.

D. Charles and H. Times, Everyman's Library, 1920.

D. Charles, Les Temps difficiles, traduit par William Hugues

W. Emerson-ralph, English Traits (1856) and Representative Men (1850), 1903.

W. Emerson-ralph, Les Représentants de l'Humanité, 1863.

M. Stuart, The Collected Works of, Thoughts on Poetry and its Varieties (1833) -Autobiography and Literary Essays, 1981.

M. Stuart, Mill: The Spirit of the Age, On Liberty, The Subjection of Women, 1996.

P. Walter, Appreciations with an Essay on Style, 1889.

P. Walter, Essais sur l'art et la Renaissance, 1985.

P. Walter, Marius l'épicurien: ses sensations et ses idées, 1993.

P. Walter, The Renaissance: Studies in Art and Poetry, Teddington : The Echo Library, 2006.

R. John and F. Clavigera, Letters to the Workmen and Labourers of Great Britain, 1900.

L. Stevenson-robert, Essais sur l'art de la fiction, 1988.

L. Stevenson-robert, Strange Case of Dr Jekyll and Mr, 2003.
DOI : 10.1017/CBO9781107518957

L. Stevenson-robert, The Merry Men and Other Tales and Fables, 1905.

T. Alfred, I. Lord, and . Memoriam, A Norton Critical Edition, 1973.

W. Oscar, S. Secondaires-ouvrages-À-propos, . Des, . Et, . Oeuvres et al., The Letters of Oscar Wilde, Behing the Looking Glass, 1962.

P. Anschutz-richard, The Philosophy of, J. S. Mill, vol.196, 1953.

B. Bruce and O. Wilde, The Critic as Humanist, 1999.

B. Eric, . Wagner, S. Spengler, D. H. George, and . Lawrence, A Study of the Idea of Heroism in Carlyle and Nietzsche, 1957.

W. Bokanovski-hélène and . Pater, la renaissance et l'esprit de la modernité, 1992.

B. Andrew and C. , The Structure of In Memoriam (1910) », in In Memoriam, pp.193-200, 1973.

B. Laurel and . Small-ian, Pater in the 1990s, British authors series, 1991.

C. Jacques and T. Carlyle-ou-le-prométhée-enchaîné, Essai sur la genèse de l'oeuvre de 1795 à 1834, coll. Recherches, n° 38, 1968.

C. David and W. Pater, the scholar-artist, 1955.

C. Ruth and C. , The Aesthetic of Walter Pater, 1940.

C. Franklin, E. , and W. Pater, an annotated bibliography of writings about him, 1980.

D. Lawrence, Wilde's Intentions. The Artist in his Criticism, 1998.

D. Wendy, The Liberal Self: John Stuart Mill's Moral and Political Philosophy, 1991.

E. Thomas and S. , », in In Memoriam, pp.174-178, 1963.

E. Richard and O. Wilde, Penguin books, 1987.

F. Paul and L. , Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde, Studies in major literary authors, 2007.

G. Regenia, Idylls of the Marketplace, Oscar Wilde and the Victorian Public, 1987.

G. Lawrence, R. Sophie, and . Pascale, Lewis Carroll et les mythologies de l'enfance, Presses Universitaires de Rennes, coll. Interférences, 2005.

P. Gillespie-michael, Oscar Wilde and the Poetics of Ambiguity, 1996.

H. Germain, Walter Pater: l'homme et l'oeuvre, Didier, Études Anglaises 17, 1961.

H. Germain, Walter Pater: l'homme et l'oeuvre, Didier, Études Anglaises 17, 1961.

H. Claire, Myself and the Other Fellow: A Life of, 2006.

H. Franck and O. Wilde, His Life and Confessions, New York : imprimé et publié par l'auteur, I & II, 19161918.

H. Rupert, Selected letters of Oscar Wilde, 1989.

H. Rupert, The Letters of Oscar Wilde, 1962.

H. H. Montgomery, The Trials of Oscar Wilde, 1948.

K. Melissa, Oscar Wilde in the 1990s: The Critic As Creator, [s.l, 2001.

K. Melissa and O. Wilde, A Long and Lovely Suicide, 1994.

K. Norbert and O. Wilde, the Works of a Conformist Rebel, traduit par David H, 1989.

L. Martine, Walter Pater et les « portraits imaginaires »: miroirs de la culture et images de soi, L'Harmattan, 2004.

L. George and P. , The Aesthetic and Critical Theories of John Ruskin, 1971.

L. Albert, Carlyle and the idea of the modern studies in Carlyle's prophetic literature and its relation to Blake, 1968.

L. Michael, The Case of Walter Pater, 1978.

L. De, Entre histoire et fiction: les biographes imaginaires dans les oeuvres de Walter Pater, Marcel Schwob et Jorge Luis Borges, Etudes de littérature générale et comparée, [s.l.] : Publications de l'Université de Rouen, coll. Les Réécritures de l'histoire, Etudes réunies et présentées par Lionel Acher, pp.45-56, 2003.

M. Sophie and L. Carroll, de l'autre côté de la logique, Rennes : Presses Universitaires de Rennes, vol.255, 1995.

M. George and O. , », in In Memoriam, A Norton Critical Edition, pp.98-102, 1963.

M. Eleanor and B. , « Further Reassurances in Herschel's Natural Philosophy and Chamber's Vestiges of Creation », in In Memoriam, pp.126-137, 1973.

M. Eleanor and B. , « The Challenge of Geology to Belief in Immortality and a God of Love (1951) », in In Memoriam, pp.120-126, 1973.

M. Linda, . Pot, and . Paint, Aesthetics on Trial in Whistler v, 1992.

N. Christopher and S. , Into the Demon Universe, a Literary Exploration of Oscar Wilde, 1974.

N. Jean-pierre, R. L. Gilles, &. Stevenson, and . Doyle, Aventures de la fiction, Actes du colloque de Cerisy, 2003.

N. Pierre, Sir Conan Doyle, l'homme et l'oeuvre, Paris : Didier, Études Anglaises 17, 1964.

R. Peter, The Cambridge Companion to Oscar Wilde, 1997.

R. John, The Improvement of Mankind: The Social and Political Thought of, John Stuart Mill, 1968.

R. Robert and H. , The Three Faces of In Memoriam », in In Memoriam, pp.93-97, 1973.

S. George, C. O. Wilde, and G. Cross, Rediscovering, 1994.

S. Tomoko, The Wilde years: Oscar Wilde and the art of his time, 2000.

S. Daniel and R. Disraeli, s romanticism: self-fashioning in the novels The Self-Fashioning of Disraeli, pp.1818-1851, 1998.

S. Daniel and R. , Disraeli's fiction, 1979.

S. John, The Cambridge Companion to Mill, 1998.

O. Small-ian and . Wilde, Revalued, an Essay on New Materials and Methods of Research, 1993.

O. Small-ian and . Wilde, Recent Research: a Supplement to « Oscar Wilde Revalued, 2000.

S. Philip, E. Michael, S. , and O. Wilde, s Oxford Notebooks: a Portrait of Mind in the Making, 1989.

T. Hallam and A. Lord-tennyson, A Memoir by His Son, 1898.

W. Basil and I. Memoriam, », in In Memoriam, pp.153-174, 1956.

Z. Marie-noëlle, L. Tryptique-de-dorian, and . Gray, Essai sur l'art dans le récit d'Oscar Wilde, L'Harmattan, 2000.

A. Sylvie, La France et l'Angleterre au XIXe siècle: échanges, représentations, comparaisons, Grânes : Éditions Creaphis, 2006.

A. Stephen, Fictions of Loss in the Victorian Fin de Siecle, 1996.

B. Karl, Aesthetes and Decadents of the 1890's: an Anthology of British Poetry and Prose, Academy Chicago, vol.337, 1981.

B. Karl, The religion of art in English literature, coll. AMS Studies in Cultural History, vol.166, pp.1885-1925, 2006.

B. Gene and H. , Art for Art's Sake & Literary Life, 1998.

B. Fabrice, Les Britanniques face à la Révolution française de 1848, Éditions L'Harmattan, 2000.

B. Christelle, Les mythes et les symboles de l'esthétique fin de siècle: éloge de Narcisse, 2005.

B. Rosemarie, The Politics of Story in Victorian Social Fiction, 1991.

C. Stephen and F. Orr-lynn, The Cult of Beauty, the Aesthetic Movement 1890-1900, 2011.

C. Pierre, Marcel Schwob et son temps, 1927.

D. Nicholas and M. , Romance, and the Fin de Siècle: Popular Fiction and British Culture, pp.1880-1914, 1999.

D. Charles, On the Origin of Species, 1909.

E. Lorentz, The Aesthetic Movement in English Literature, 1959.

E. Friedrich, The Condition of the Working Class in England (1844), Londres : Penguin Classics, 2009.

E. Eric and J. J. , The Great Reform Act of 1832, 1983.

F. Bruno and . Pierre, Récriture et création, dans « Vies imaginaires, p.574, 2007.

F. Ian, Stratford-upon-Avon studies, Decadence and the 1890s, 1979.

F. Hilary, . Beauty, and . Belief, Aesthetics and Religion in Victorian Literature, 1986.

G. Sophie, Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations from Edgeworth to Hardy, 1998.

. Gilmour-robin, The Victorian Period. The Intellectual and Cultural Context of English Literature 1830-1890, London : Longman, coll. Literature in English series, 1993.

H. Walter, The Aesthetic movement in England, Folcroft : Folcroft Library Editions, 1882.

H. Granville, Figures of Transition: Study of British Literature at the End of the Nineteenth Century, 1939.

J. Holbrook, The Eighteen Nineties, 1914.

J. Philippe, Esthètes et magiciens: l'Art fin de siècle, 1970.

K. Arnold and «. , The Early Victorian Social-Problem Novel », in The Pelican Guide to English Literature, Harmondsworth : Penguin, vol.6, pp.169-187, 1964.

L. Walter, The Eighteen-eighties, 1930.

L. Jean-jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature, 1994.

L. George, D. , and T. Novelists, Patterns of Science in Victorian Fiction, 1988.

M. Diana, British Aestheticism and the Urban Working Classes, 1870-1900: Beauty for the People, 2006.

M. Gail, The Cambridge Companion to the Fin de Siècle, 2007.

M. Patrick and . Symbolism, Decadence and the Fin de Siècle: French and European Perspectives, 2000.

E. Neff-emery, Carlyle and Mill: an Introduction to Victorian thought, 1964.

R. Georg, Evolution and Poetic Belief. A Study in some Victorian and Modern Writers, 1956.

L. Schaeffer-jean-marie, art de l'âge moderne: l'esthétique et la philosophie de l'art du XVIIIe siècle à nos jours, Gallimard, coll. NRF Essais, 1992.

S. James, Beauty and the Critic: Aesthetics in an Age of Cultural Studies, 1997.

S. John, Fin de Siècle, Fin Du Globe. Fears and Fantasies of the Late Nineteenth Century, 1992.

S. Arthur, The Symbolist Movement in Literature, 18991908.

T. Georges and M. Schwob, faussaire de la nature, Genève : Librairie Droz, coll. Histoire des idées et critique littéraire, 1969.

W. Hugh, The Age of Tennyson

J. Whistler and . Mcneill, The Gentle Art of Making Enemies, 1967.

W. Julian, Modern British and Irish Criticism and Theory, a Critical Guide, 2006.

@. Bruce, O. Wilde, and . Theorist, The Case of De Profundis, pp.28-396, 1985.

O. Beaumont-matthew and . Wilde, s Concept of Utopia The Soul of Man under Socialism, Utopian Studies, vol.15, issue.1, p.13, 2004.

. Bruder-anne, J. M. Critic-between, O. Whistler, and . Wilde, In the best days of art there were no art-critics, p.161, 2004.

B. Joseph and «. The-martyr-clown, Oscar Wilde in De Profundis, Victorian Newsletter, issue.42, pp.1-6, 1972.

C. Meredith and «. De, Profundis -Wilde's Letter to the World », Tennessee Studies in Literature, p.16, 1971.

D. Peter and O. Wilde, reading the life after the life, p.414, 2005.

D. Andrzej and . Thomas, Carlyle and the Origin of the 'Condition of England Question' », The Victorian Web, 2010.

F. Philip, «. Hallam, and T. , The " Theodicaea Novissima " and In Memoriam », Studies in English Literature, pp.1500-1900, 1979.

F. David, O. Wilde, F. John, P. Et, S. Henry et al., De Profundis, and the Rhetoric of Agency », Papers on Language and Literature « Some Phases of Tennyson's in " Memoriam " : Discussion », Publications of Modern Language Association, Proceedings, p.1890, 2001.

H. Catherine and . Carlyle-historiographe, De la transgression des règles à la subversion des valeurs, pp.73-90, 2003.

H. Lesley and W. Pater, Painting the Nineteenth Century, p.415, 2007.

K. Peter, V. De, and L. Patrick, « Some Notes on Wilde's Socialism », The Crane Bag, pp.141-150, 1983.

K. Julia, D. Gray, and E. Realism, Wilde's " False Notes, Romanticism and Victorianism on the Net, p.48, 2007.

K. Henry and «. , Meaning " in Tennyson's In Memoriam », Studies in English Literature, pp.1500-1900, 1977.

. Moran-maureen and . Walter, Walter Pater's House Beautiful and the Psychology of Self-Culture, English Literature in Transition, 1880-1920, vol.50, issue.3, p.291, 2007.
DOI : 10.2487/elt.50.3(2007)0003

. Teng-yi-ching and . Le-faux, représentation parfaite " dans " The Portrait of Mr W. H, La représentation en question, 2003.

V. Emmanuel, Réflexions sur la poétique du titre The Picture of Dorian Gray (1890) d'Oscar Wilde », Rue des beaux arts, 2009.

V. Obed-leonara and R. , Approaching an irony of difference: the Self as an outsider in the short stories of Oscar Wilde, Journal of the Short Stories in England, vol.29, 1997.

W. David and «. , Fashioning the Self from the Chasm: De Profundis and the Chronotype of Post-prison Time, Miscelànea: A Journal of the Oscar Wilde Society, p.22, 2000.

W. Jane, . Prisons, and . Subjectivity, Oscar Wilde's De Profundis, an Autobiography of Escape, Victorian Literature and Culture, vol.24, pp.99-114, 1996.

W. Julia and . De, Profundis Re-examined », The Wildean, the Journal of the Oscar Wilde Society, pp.38-40, 1999.

D. De and P. L. Les-réformes-sociales-en-angleterre, De la moralisation des classes dangereuses: écoles industrielles, logement des pauvres, prisons », La Revue des Deux Mondes, septembre 1858, pp.100-134

E. Stefano and «. , Lovers and Philosophers at Once " : Aesthetic Platonism in the Victorian " Fin de Siècle " », The Yearbook of English Studies, pp.230-244, 2006.

F. Bruno and «. , Vies imaginaires de philosophes: Marcel Schwob lecteur de Diogène Laërce, Revue de Littérature Comparée, pp.317-354, 2006.

G. Sabrina, Schwob ou l'art d'écrire en peintre », La Revue des Ressources. septembre, 2006.

H. Julian and «. , The Romance of the Impossible », Lippincott's Monthly Magazine, xlvi, septembre 1890, pp.412-415

L. Sally, Wilde women and the yellow book: the sexual politics of aestheticism and decadence, pp.5-26, 2007.

P. Arthur and «. , Sooty Manchester " and the Social-reform Novel, British journal of Industrial Medicine, issue.18, pp.1845-1855, 1961.

R. Laurence, Des dragons de Ruskin aux dinosaures de Darwin: images de la peur au XIXe siècle », Les Images de la Peur, Revue éditée par College of the Holy Cross (USA) et, pp.13-25, 2011.

S. Michael and R. War, Politics of Fins-de-siécle Spectatorship. », Modern Drama, pp.399-422, 2004.

A. Catherine, Anthologie historique et critique de l'utilitarisme, 1999.

A. Paul and L. , ivresse de l'art: Nietzsche et l'esthétique, Paris : Le Livre de Poche, coll, Biblio Essais, vol.224, 2003.

B. Robert, C. James, and A. S. , Introduction to Philosophy Through Literature, 1950.

B. Gilles and L. , invitation au mensonge: essai sur le roman, NRF Essais, vol.145, 1989.

B. Roland, Le Degré zéro de l'écriture, suivi de Nouveaux essais critiques, Éditions du Seuil, 19721953.

C. Jean-luc, Les théories de l'art. Philosophie, critique et histoire de l'art de Platon à nos jours, 2007.

C. Yannis and N. , Paris : Hachette, coll. Philosophie: les textes essentiels, 2001.

D. Gilles, Logique du sens, Paris : Éditions de minuit, coll, Critique, vol.392, 1969.

D. Émile, De la division du travail social, 2007.

W. B. Genet-jacqueline and . Yeats, les fondements et l'évolution de la création poétique: essai de psychologie littéraire, Presses universitaires du Septentrion, 1980.

G. Pierre, La représentation dans la littérature et les arts: anthologie, Toulouse : Presses universitaires du Mirail, coll. Cribles, 2000.

G. André, K. Heck-chrisitan, and . Robert, Huysmans: une esthétique de la décadence: actes du colloque de Bâle, Mulhouse et Colomar des 5, 1984.

H. Ian, The Making of History: A Study of the Literary Forgeries of James Macpherson and Thomas Chatterton in Relation to Eighteenth-Century Ideas of History, 1987.

W. Hegel-georg and . Friedrich, Introduction à l'esthétique, 1835.

K. Emmanuel, Critique de la faculté de juger, traduit par A. Renaut, 1995.

L. Alain, Histoire de l'individualisme, 1993.

L. Christopher and J. , Huysmans and the Fin de Siècle Novel, 1990.

M. Frédéric and L. , Androgyne décadent: Mythe, figure, fantasmes, Grenoble : ELLUG, 21 octobre, 1996.

M. George, Confessions of a Young Man, 1904.

M. De and . Edmundo, Paradoxe des menteurs: logique, littérature, théories du paradoxe. Variations sur le paradoxe 3, L'Harmattan, 2010.

M. William, The Collected Works, 1966.

. Nietzsche-friedrich-wilhem and . Aurore, Réflexions sur les préjugés moraux », in Oeuvres Complètes de Friederich Nietzsche, traduit par Henri Albert, pp.239-325, 1901.

W. Nietzsche-friedrich, La Naissance de la tragédie, traduit par M

O. James, Metaphors of Self: The Meaning of Autobiography, 1972.

P. Mario, L. Chair, and . Le-diable-dans-le-littérature-du-xixe-siècle, Le romantisme noir, 1977.

A. Psomiades-kathy, Beauty's Body: Femininity and Representation in British Aestheticism, 1997.

R. William and M. , Some Reminiscences, 1906.

R. William and M. , Some Reminiscences, 1906.

R. Pascal and . Serge, Aux origines de l'abstraction, Paris : Musée d'Orsay, 2003.

S. Schiffer-daniel, Philosophie du dandysme Une esthétique de l'âme et du corps, Paris : P. U. F., coll. Intervention philosophique, 2008.

S. Arthur, Le Monde comme Volonté et comme Représentation, traduit par A, 2004.

S. Gisèle, Les Grands courants de l'individualisme, 1999.

S. Gisèle, Nietzsche: généalogie de l'individu, Harmattan, vol.150, 2003.

S. Evanghélia and L. Monstre, le singe et le foetus: tératogonie et décadence dans l'Europe fin-de-siècle, 2004.

S. George, Réelles présences, Les arts du sens, traduit par Michel R. de Pauw, Gallimard, coll. Folio Essais, 1991.

Y. William and B. , The Oxford Book of Modern Verse 1892-1935, pp.339-345, 1936.