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Architectures et architectures de la mémoire : le théâtre d’Elfriede Jelinek et de Peter Wagner (1991-2011)

Abstract : Elfriede Jelinek and Peter Wagner's plays are part of the quest for—or conquest of—an identity shaken by the traumas of Austro-German history, and by the contradictory relationship between the Germanic peoples and their fascist past. The 1990s saw the deaths of many of the last Holocaust witnesses, and an increase in official commemorations to which the texts, as well as their staging and their vocal performance, respond through sites of memory and real environments of memory. The analysis of textual and scenic strategies, in particular the forms, structures and implications of memory, shedslight on a special theatrical aesthetic belonging to what may be called an art of « rememberment».
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Aline Vennemann. Architectures et architectures de la mémoire : le théâtre d’Elfriede Jelinek et de Peter Wagner (1991-2011). Littératures. Université Rennes 2, 2013. Français. ⟨NNT : 2013REN20039⟩. ⟨tel-00936723⟩

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