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Lecture du discours romanesque féminin du Gabon : Analyse sociopragmatique des œuvres de Chantal Magalie MBAZOO-KASSA, Honorine NGOU et Sylvie NTSAME

Abstract : Going into feminine novel in a discursive statement approach, it is necessary to consider the social, linguistic and cultural contexts of the production. The enouncing strategies, the meaning field and the rulling receiving that determine the speech, are also to be taken in account. The socio pragmatic approach allows us thus to the plural reading we consider to lead indisputably to an optimal legibility of the texts. Firstly, as communication, the feminine novel involves discursive techniques based on both cultural and linguistic contexts influencing incontestably the functioning of utterances concerning production activities. Then, the particularity of the speeches under our study is their multiform language made on lyrics, acts with enunciative values, and other sort of communicative expressions. It is essentially an allegorical language, with hidden meanings, different imagery turns and talking silences that allows expression without actually saying. This theatralized staging of the speech confers on the feminine roman expression a peculiar artistic status where the language enriches of "linguistic accessories" from national and ethnic origins. Finally, the reception itself is a function of a whole of elements required to its carrying out namely, defined space, defined time, and an orientation of reception intentionally glide by the author. These elements put together correspond to what Kleber calls the "discursive memory" of the "enunciator" and the" shared knowledges" between the issuer and the receiver
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Franckline Ntsame Okourou. Lecture du discours romanesque féminin du Gabon : Analyse sociopragmatique des œuvres de Chantal Magalie MBAZOO-KASSA, Honorine NGOU et Sylvie NTSAME. Littératures. Université Paris-Est, 2012. Français. ⟨NNT : 2012PEST0023⟩. ⟨tel-00856016⟩

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