Skip to Main content Skip to Navigation
Theses

L'effet couleur au cinéma - Manifestations chromatiques du temps

Abstract : This study is about experiencing time through the colour effect. It focuses on building an approach in movement between cinema and contemporary art in projection rooms. To define the relation between works such as experimental films, performances and installations, as we will discuss in this document, we need to be connected with the idea of « conceptual cinema. » It is made by different aesthetic and temporal expressions, which focuses on colour. This colour that comes out of the holes in the wall or from flashlights on the screen creates a vibrant movement made by its projection and its reverberation into the room. In this room, the audience has an experience where time and consciousness seem to expand. My main target in this text is to expose an aesthetic reflection about colour and time. These concepts access multi disciplinarily theories that are necessary to broaden and deepen our analysis. Thus, it was essential to analyse the method and to mix theories of Art and cinema, using an aesthetic, phenomenology and philosophical – continuous Duration and discontinuous Instants – viewpoint proposed by Henri Bergson and Gaston Bachelard.
Complete list of metadatas

Cited literature [9 references]  Display  Hide  Download

https://tel.archives-ouvertes.fr/tel-00835009
Contributor : Abes Star :  Contact
Submitted on : Monday, June 17, 2013 - 6:24:11 PM
Last modification on : Thursday, December 3, 2020 - 5:51:35 PM
Long-term archiving on: : Wednesday, September 18, 2013 - 4:18:40 AM

File

2012PA030088.pdf
Version validated by the jury (STAR)

Identifiers

  • HAL Id : tel-00835009, version 1

Citation

Lenice Pereira Barbosa. L'effet couleur au cinéma - Manifestations chromatiques du temps. Musique, musicologie et arts de la scène. Université de la Sorbonne nouvelle - Paris III, 2012. Français. ⟨NNT : 2012PA030088⟩. ⟨tel-00835009⟩

Share

Metrics

Record views

2242

Files downloads

14638