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La compétence interculturelle chez le comédien

Abstract : We conducted a qualitative observation, about a theater company of Occitanie, south of France and a theater production and diffusion company. Both are located in Montpellier and have regional and mediterranean culture as a core value. We completed the observation with a third theater company based in the Provence region : this company creates performances based on exchanges with Palestinia. Agreements used by these theater enterprises demonstrates a strong relationship with Alterity. The theater in this part of this art world builds and experiments a competence about the concept of border in its search for cultural exchanges. This competence reinforces the particular status of the actor in his role of citizen in charge of awakening for political and cultural identities. The analysis of the funding practices of these theater structures also allowed us to clarify the positioning and actions of the various parties, including public service parties. Finally, the place and the function of the above practices were confronted to the emerging European Cultural Policy
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Eliette Guine-Boucheron. La compétence interculturelle chez le comédien. Musique, musicologie et arts de la scène. Université d'Avignon, 2011. Français. ⟨NNT : 2011AVIG1097⟩. ⟨tel-00735844⟩



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