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De la révolte à la découverte de la sagesse populaire

Abstract : The intertextuality relations in Amours Jaunes indicate a game of correspondences and of Iilerary allusions that we can call the poetic makeup of Harlequin. Our research deals with the different expressions of the revolt in the anthology. The art of the derision and the parody contribute to the dialogue intertextuel with, on one hand, past authors such as Shakespeare, La Fontaine, Villon, and du Bellay. On the other hand, the poet is inspired by the work of Hugo, his father's novels, Edouard Corbière, and alludes to the poetry of Baudelaire, de Gautier, and de Vigny. Like his predecessors, Corbière denounces the artificial painting of the Italian and Spanish literary in the poetry of Lamartine and de Musset. Besides, Les Amours Jaunes iIIustrate the search for a new poetics. ln fact, Corbière wonders about failure to which he attributes a positive dimension, which contributes to the negativity of his poetry. The impossible love dialogue leads him to discover a rewarding feeling in maternal love. ln addition, the poet resorts to the theatrality and projects on the scene of the imaginary spectacle of the anthology of the faces of the marginality, emblems of popular wisdom that illustrate the overthrow of the social values. Corbière transposes Brittany's landscape into his poetic universe and pay homage to the world of the sailors from whom he takes the vision of death.
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Submitted on : Friday, September 21, 2012 - 2:47:18 PM
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  • HAL Id : tel-00734342, version 1


Ahmed Kaboub. De la révolte à la découverte de la sagesse populaire. Littératures. Université du Maine, 2012. Français. ⟨NNT : 2012LEMA3002⟩. ⟨tel-00734342⟩



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