M. Bakhtin, The Dialogic Imagination, 1992.

M. Bal, Second???Person Narrative, Paragraph, vol.19, issue.3, 2001.
DOI : 10.3366/para.1996.19.3.179

. Baron-cohen, Mindblindness: An Essay on Autism and Theory of Mind, 1995.

R. Barthes, Le degré zéro de l'écriture, Editions du Seuil, 1972.

C. Berkenkotter, Understanding a Writer's Awareness of Audience, College Composition and Communication, vol.32, issue.4, pp.388-99, 1981.
DOI : 10.2307/356601

P. Bibby, Taking the Road Out Imprint: The Short Story Magazine, pp.62-67, 1986.

J. Bloom and R. Lasada, Craft Interview with John Ashbery, NY Quarterly, issue.9, pp.224-249, 1972.

B. Bogdanov, Reading, the Reader, and the Others, 1999.

H. Bonheim, Narration in the Second-Person, Recherches Anglaises et Américaines, vol.16, pp.69-80, 1983.

W. Booth, Wayne Booth Hits his Targets, Emory Report, vol.53, issue.34, 2000.

W. C. Booth, The Rhetoric of Fiction, 1961.
DOI : 10.7208/chicago/9780226065595.001.0001

W. Booth, The Rhetoric of Fiction, Chicago: UCP, 1983

W. C. Booth, The Self-Conscious Narrator in Comic Fiction before Tristram Shandy, PMLA, vol.67, issue.2, pp.163-185, 1952.
DOI : 10.2307/460093

. Bouquet and . Simon, Les pronoms de deuxième personne en francais envisagés dans le cadre d'une linguistique des genres, 2003.

K. Buhler, The Theory of Language: The Representational Function of Language, 1990.

F. Bures, Chuck Palahniuk: Choke Hold on the Zeitgeist, Poets & Writers, 2001.

J. Capecci, Performing the second???person, Text and Performance Quarterly, vol.2, issue.1, pp.42-52, 1989.
DOI : 10.1080/10462938909365911

S. Cavell, Must We Mean What We Say?, Cambridge: Cambridge UP, 2002.

M. Chénetier, Ideas of Order at Delphi », dans Facing Texts : Encounters Between Contemporary Writers and Critics, 1988.

M. Chénetier and . La, Voix dans la fiction américaine contemporaine », Revue Française d'Etudes Américaines, 1992.

. Chomsky, Language and Problems of Knowledge: The Managua Lectures, 1988.

. Cohn and . Dorrit, Theorie des Erzahlens, Poetics Today, vol.2, issue.2, pp.157-182, 1981.
DOI : 10.2307/1772195

. Coffen and . Béatrice, Rôle attribué aux pronoms d'adresse dans la construction identitaire, 2003.

M. Currie, Postmodern Narrative Theory, NY: St, 1998.
DOI : 10.1007/978-1-349-26620-3

A. R. Damasio, Le Sentiment même de soi: Corps, émotions, conscience (trad. de l'anglais par Claire Larsonneur et Claudine Tiercelin, Paris: Editions Odile Jacob, 1999.

N. Diengott, The Mimetic Language Game and Two Typologies of Narrators, MFS Modern Fiction Studies, vol.33, issue.3, 1987.
DOI : 10.1353/mfs.0.1259

C. Donner, Contre l'imagination, 1998.

U. Dubos and . Déixis, temporalité et le concept de 'situation' », Mary-Annick Morel et Laurent Danon-Boileau (éds.), La Déixis: Colloque en Sorbonne 8-9 juin, pp.319-349, 1990.

U. Eco, Six promenades dans les bois du roman et d'ailleurs, 1996.

G. Edelman and G. Tononi, Comment la matière devient conscience (trad. de l'anglais par Jean-Luc Fidel), 2000.

T. S. Eliot, The Perfect Critic

J. J. Encarnacao, Coming of Age in Australia Joseph's Coat: An Anthology of Multicultural Writing, 1985.

G. Finch, How to Study Linguistics, NY: St, 1999.

S. Fish, Is There a Text in This Class? The Authority of Interpretive Communities, Poetics Today, vol.3, issue.1, 1980.
DOI : 10.2307/1772220

S. Fish, Surprised by Sin: The Reader in Paradise Lost, 1971.
DOI : 10.1007/978-1-349-00146-0

F. Fitzgerald and . Scott, The Notebooks of F, 1978.

M. Fludernik, Second Person Fiction: Narrative You As Addressee And/Or Protagonist, Arbeiten aus Anglistik und Amerikanistik, 1993.

M. Fludernik, A Test Case for Narratology, Style, vol.28, issue.3, 1994.

M. Fludernik, The Diachronization of Narratology, Narrative, vol.11, issue.3, 2003.
DOI : 10.1353/nar.2003.0014

S. Freud, C. Papers, and J. Riviere, The Institute of Psycho-analysis, pp.1924-50

. Gardner-chloros and «. L. Pénélope, abandon de la distinction thou/ye en anglais; causes, conséquences, et implications pour la sociolinguistique d'aujourd'hui, 2003.

P. Gault, Genesis and Function of Hencher in The Lime Twig", Les Américanistes: New French Criticism and Modern American Fiction, 1978.

P. Gault and . Les, Désordres du récit dans 'The Pedersen, 1979.

C. Geertz, From the Native's Point of View The Interpretation of Cultures, 1973.

G. Genette and L. , Oeuvre de l'art: Immanence et transcendance, Seuil, 1994.
DOI : 10.14375/np.9782020217361

S. Goldhill, The Poet's Voice, Cambridge: Cambridge UP, 1990.

L. Gordon and R. Coover, The Universal Fictionmaking Process, 1983.

C. Graumann and . Friedrich, Grundlagen einer Phanomenologie un Psychologie der Perspecktivitat, 1960.

K. Hamburger, Logique des genres littéraires, 1986.

D. Hantzis, You Are About To Begin Reading": The Nature and Function of Second Person Point of View in Narrative, thèse soutenu à Louisiana State U, 1988.

C. Hartshorne, . Weiss, . Paul, and A. W. Burks, The Collected Papers of Charles Sanders Peirce, 1958.

S. I. Hayakawa, Language in Thought and Action, 1964.

D. Herman, Textual 'You' and double deixis in Edna O'Brien's A Pagan Place, p.378, 1994.

M. Hopkins, L. Francis, and . Perkins, Second-Person Point of View, Critical Survey of Short Fiction Magill. Englewood Cliffs NJ: Salem P, vol.1, pp.119-151, 1981.

J. Hughson and . Le-tu-et-le-vous, étude sociolinguistique dans la banlieue parisienne, 2003.

E. Hyman and . Université-de-caroline-du-nord, Fayetteville, dossier distribué lors d'un colloque sur la deuxième personne, 2000.

W. Iser, The Act of Reading: A Theory of Aesthetic Response, 1978.

M. Jahn, Narratology: A Guide to the Theory of Narrative

R. Jakobson, Huit questions de poétique, Editions du Seuil, 1977.

H. W. Janson, Histoire de l'art, Paris : Edition Cercle d'Art Paris, 1970.

H. Jauss and . Robert, Toward an Aesthetic of Reception, 1982.

P. Jaworski, Melville: le désert et l'empire, Paris: Presses de l'Ecole Normale Supérieure, 1986.

O. Jespersen, Growth and Structure of the English Language, 1967.

A. Jefferson, The Nouveau Roman and the Poetics of Fiction, Cambridge: Cambridge UP, 1980.

M. Jefferson, Two Artists, Sharing a Museum but Worldviews Apart The New York Times, p.2, 2000.

I. Kancandes, Are You in the Text? : The 'Literary Performative' in Postmodernist Fiction, Text and Performance Quarterly, vol.13, 1993.

E. Kant, Critique de la faculté de juger, Gallimard, 1985.

T. Kindt, . Müller, and . Hans-harald, The 'Implied Author': Explication and Use of a Controversial Concept, 2002.

B. M. Kroll, Writing for Readers: Three Perspectives on Audience, College Composition and Communication, vol.35, issue.2, pp.172-85, 1984.
DOI : 10.2307/358094

T. Kuntzel, The Film-Work, 2, Camera Obscura: Feminism, Culture, and Media Studies, vol.2, issue.2 5, pp.38-61, 1978.
DOI : 10.1215/02705346-2-2_5-6

E. Laclau and C. Mouffe, Hegemony and Socialist Strategy: Towards a Radical Democratic Politics, 1985.

J. Lamb, Sterne and Irregular Oratory The 18 th -Century Novel, 1996.

S. Lanser, (Im)plying the Author, Narrative, vol.9, issue.2, 2001.

J. Laskas and . Marie, How to Tell a Story, Esquire, pp.138-139, 2000.

R. Lavie, Le Locuteur Analogique ou La Grammaire mise à sa place, 2003.
URL : https://hal.archives-ouvertes.fr/tel-00285173

J. Lecercle, Three-Way Games, Philosophy Today, vol.36, issue.4, p.336, 1992.
DOI : 10.5840/philtoday19923645

T. Leitch, What Stories Are, 1986.

D. Lodge, The Art of Fiction, 1992.

D. Lodge and L. , Art de la fiction, trad, Michel et Nadia Fuchs, 1996.

. Longinus, On the Sublime, trad. W. Rhys Roberts, Cambridge: Cambridge UP, 1935.

J. Lye, The 'death of the author' as an instance of theory

J. Lyons, Deixis and anaphora " , dans The Development of communication and discourse, 1979.

B. Mchale, You Used to Know What These Words Mean': Misreading Gravity's Rainbow, Language and Style, 1985.

D. Maingueneau, Contexte de l'oeuvre littéraire, 1993.

D. Maingueneau, Eléments de linguistique pour le texte littéraire, 2000.

M. Maratsos, Learning How and When to Use Pronouns and Determiners Language Acquisition: studies in first language development, 1985.

U. Margolin, Dispersing/Voiding the Subject: A Narratological Perspective, pp.1986-1987

U. Margolin, Shifted (Displaced) Temporal Perspective in Narrative, Narrative, vol.9, issue.2, 2001.

M. Marini and . La, Critique psychanalytique », dans Introduction aux méthodes critiques pour l'analyse littéraire, Daniel Bergez éd, 1999.

W. Martin, Recent Theories of Narrative, 1986.

F. Moltmann, Comments on Peter Simons: Modes of Reification, Conférence, 2003.

B. Morrissette, Narrative 'You' In Contemporary Fiction, Comparative Literature Studies, vol.2, issue.1, pp.1-24, 1965.

C. Morris, Writings on the General Theory of Signs, 1971.
DOI : 10.1515/9783110810592

L. Mulvey, Visual Pleasure and Narrative Cinema, Issues in Feminist Film Criticism, 1990.
DOI : 10.1093/screen/16.3.6

URL : http://screen.oxfordjournals.org/cgi/content/short/16/3/6

L. Oppenheim, Intentionality and Intersubjectivity: A Phenomenological Study of Butor's La Modification, French Forum Monographs, vol.16, 1980.

D. '. Park, The Meanings of "Audience", College English, vol.44, issue.3, pp.247-57, 1982.
DOI : 10.2307/377012

K. Passias, Deep and Surface Structure of the Narrative Person Vous in Butor's La Modification and its Relationship to Free Indirect Style, Language and Style, vol.93, pp.197-212, 1976.

J. Phelan, Redundant Telling, Preserving the Mimetic, and the Functions of Character Narration, Narrative, vol.9, issue.2, 2001.

J. Pier, Recent Trends in Narratological Research, GRAAT: Review des Groupes de Recherches Anglo-Américaines de l, 1999.

M. Pires, ». Le-tutoiement-en-Écrit-public, . Langage, and . Société, Maison des Sciences de l'Homme, sept, 2003.

G. Poulet, Phenomenology of Reading, New Literary History, vol.1, issue.1, p.56, 1969.
DOI : 10.2307/468372

G. Prince, Introduction à l'étude du narrataire, Poetique, vol.14, pp.178-196, 1973.

G. Prince, The Disnarrated, pp.22-23, 1988.

R. Quirk, A comprehensive grammar of the English language, 1985.

A. Rabatel, La construction textuelle du point de vue, 1998.
DOI : 10.3917/deni.rabat.1998.01

URL : https://hal.archives-ouvertes.fr/halshs-00433016

A. Rabatel, Conflicts between narratorial or actorial points of view: neutralization or hierarchization of the perspectives?, Linx, vol.43, issue.43, pp.103-121, 2000.
DOI : 10.4000/linx.1095

P. Rabinowitz, Reading Beginnings and Endings, Narrative Dynamics, 2002.

G. Rauh, Deictic reference in fictional texts, Studia Poetica, vol.5, pp.87-114, 1984.

I. A. Richards, Principles of Literary Criticism, 1925.
DOI : 10.4324/9780203278901

B. Richardson, Denarration in Fiction: Erasing the Story in Beckett and Others, Narratology, vol.9, issue.2, 2001.

B. Richardson, The Poetics and Politics of Second Person Narrative, Genre, vol.24, issue.3, pp.309-330, 1991.

P. Ricoeur, La configuration du temps dans le récit de fiction, 1984.

D. N. Rodowick, Reading the Figural, Camera Obscura, vol.24, pp.10-45, 1990.

D. N. Rodowick, Reading the Figural, or, Philosophy after the New Media, 2001.
DOI : 10.1215/9780822380764

M. Ryan, The Narratorial Functions: Breaking Down a Theoretical Primitive, Narrative, vol.9, p.2, 2001.

M. Salvatori, Italo Calvino's If On a Winter's Night a Traveller: Writer's Authority, Reader's Autonomy, Contemporary Literature, vol.272, pp.182-212, 1986.

E. Sapir, Language: An Introduction to the Study of Speech, 1921.
DOI : 10.1017/CBO9781139629430

J. Schaeffer, « Narration et simulation mentale : à propos du problème du narrateur », conférence de La narratologie, aujourd'hui, Séminaire CRAL, 2004.

R. Scholes, Semiotics and Interpretation, 1982.

D. Shen, Narrative, Reality, and Narrator as Construct: Reflections on Genette's 'Narrating, Narrative, vol.9, issue.2, 2001.

J. K. Sheriff, The Fate of Meaning: Charles Peirce, Structuralism, and Literature, 1989.
DOI : 10.1515/9781400859979

K. Silverman, The Threshold of the Visible World, 1996.

P. Simons, Modes of Reification, 2003.

N. Sims, Literary Journalism in the 20 th Century, 1990.

G. Sonesson, The Concept of Text in Cultural Semiotics, 1998.

J. Talens, Reading as Writing Reading in the Age of Media, Computers, and Internet, 1999.

J. P. Tompkins, Reader-Response Criticism, 1980.

M. Torgovnick, Closure in the Novel, 1981.

M. Viel, La notion de « marque » chez Trubetzkoy et Jakobson : Un épisode de l'histoire de la pensée structurale, thèse université Paris 4 soutenue en, 1982.

P. Vitoux and «. , The Magic Poker' : récit et narration, 1979.

K. Wales, Personal Pronouns in present-day English, 1996.

J. Walker, Do you think you're part of this? The Cybertext Yearbook, 2001.

B. Webber and . Lynn, A Formal Approach to Discourse Anaphoria, 1979.

K. Wheeler, Problems in Old English translation

H. White, The Content of the Form: Narrative Discourse and Historical Representation, 1986.

H. White and F. Realism, Studies in the Mimesis Effect, 1999.

A. Wilson, Return to the Pre-Flaubertian Novel The Observer, p.16, 1957.

W. Wolf, Astheische Illusion und Illusionsdurchbrechung in der Erzahlkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstorenden Erzahlen, 1993.

W. Abish, How German is It, 1980.

B. W. Aldiss, Poor Little Warrior!", The Wizards of Odd, 1997.

E. Allen, River of Toys, Best American Short Stories, 1990.

R. Banks, The Angel on the Roof, 2000.

R. Banks, The Book of Jamaica, 1980.

J. Barnes, The Story of Mats Israelson The New Yorker, pp.62-70, 2000.

J. Barth, Once Upon a Time, 1994.

R. M. Berry, dictionary of modern anguish, FC2: Normal, 2000.

A. Bierce, A Son of the Gods: A Study in the Present Tense

R. M. Berry, Plane Geometry and Other Affairs of the Heart, NY et Normal: Fiction Collective/ Illinois State U P, 1985.

R. Brautigan, Revenge of the Lawn, Stories 1962-1970, 1997.

I. Calvino, If on a winter's night a traveler, 1981.

M. Caponegro, Tales from the Next Village, Providence: Lost Roads, 1985.

R. Carver, What We Talk About When We Talk About Love, NY: Vintage, 1989.

J. Cleland, The History of Fanny Seymore

E. L. Doctorow, The Leather Man " , dans Best American Short Stories, 1985.

B. Ellis and . Easton, The Rules of Attraction, 1987.

R. Farley and . Milne, The House of Ecstacy Alfred Hitchcock's Fireside Book of Suspense, 1947.

J. Ferry, Dancing Ducks and Talking Anus », Best American Short Stories, 1982.

H. Fielding, From This World to the Next

H. Fielding, The Journey of a Voyage to Lisbon

F. Fitzgerald and . Scott, The Great Gatsby, NY: Charles Scribner's Sons, 1925.

M. Gallant, The Concert Party, Best American Short Stories, 1989.

P. Golding, The Abomination, 2000.

J. Gordon, She Drove Without Stopping, Chapel Hill, 1990.

R. Gupta, The Café de Paris, Best American Short Stories, 1982.

J. Hagge, Pontius Pilate The Carleton Miscellany, octobre, 1975.

N. Hawthorne, The Haunted Mind " (1835) www.4literature

A. Hempel, At the Gates of the Animal Kingdom, 1990.

D. Johnson, The Name of the World, 2000.

T. Jones, « The Pugilist at Rest », Best American Short Stories, 1992.

D. Justice, « The Artificial Moonlight », Best American Short Stories, 1984.

F. Kirkman, The Unlucky Citizen (1673) www

M. Klam, Linda's Daddy's Loaded The New Yorker, 13 janvier, pp.64-71, 1997.

J. Mcelroy, Choor Monster of the Long White Mountain, " dans Facing Texts: Encounters between Contemporary Writers and Critics, 1988.

M. Meloy, Ranch Girl The New Yorker, pp.230-234, 2000.

L. Moore, People like that are the only people here " , dans Best American Short Stories, 1998.

A. Munro, Floating Bridge The New Yorker, pp.64-72, 2000.

A. Munro, Something I've Been Meaning to Tell You, NY: Penguin, 1974.

J. Oates and . Carol, Silkie, The Malahat Review, issue.23, 1972.

Z. Packer, Drinking Coffee Elsewhere, The New Yorker, pp.156-170, 2000.

D. Parker, You Were Perfectly Fine, NY: Random House, 1942.

E. Poe and . Allan, The Annotated Tales of E.A. Poe, Garden City, 1981.

M. Richard, The Ice at the Bottom of the World, 1989.

T. Robbins, Half Asleep in Frog Pyjamas, NY: Bantam Books, 1994.

P. Roth, The Dying Animal, 2001.

J. D. Salinger, The Catcher in the Rye, 1951.

J. Schinto, Caddies' Day, 1985.

L. Sterne, The Life and Opinions of Tristram Shandy, Gentleman, NY: New American Library, 1960.

L. Swartz, How I Learned to Love You Like a Spider, Seattle: Zero Hour, 1994.

J. Swift, The Travels of Lemuel Gulliver into Several Remote Nations of the World, p.1787

J. Swift, Directions to Servants and miscellaneous pieces, pp.1733-1742, 1959.

J. Thomas and . Ellis, The Saturday Morning Car Wash Club The New Yorker, p.66, 2000.

A. Walker, The Color Purple, 1990.

G. Xingjian, One Man's Bible, trad, 2002.