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, Image du codeur LPC avec les axes x et y en superposition, p.38, 2004.
, ) trajectoires x (cm) et (2) y (cm) de la main pour une séquence [pupøpu], (3) décours temporel de l'aire intérolabiale S (cm 2 ) ; (4) signal acoustique correspondant, p.39, 2004.
, Schéma général de coordination de la main et des l` evres en relation avec le son de parole pour le code LPC, p.39, 2004.
, 5DT Data Glove 16 MRI Ce gant ne contient aucune partie métallique ou magnétique et il est connecté au bo??tierbo??tier d'interface par un ruban long de 5-7m via une fibre optique (image copiée du site internet de Fifth Dimension Technologies (5DT), p.58
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, cm 2 calculéscalculésà l'aide du logiciel TACLEàTACLEà partir de la séquence : " ma chemise est roussie " . Les erreurs d'extraction des paramètres sont par ailleurs marquées, p.115
, en cm 2 calculéscalculésà l'aide de la solution que nous proposons appliquéeappliquéè a la séquence : " ma chemise est roussie ", p.117
, les paramètres du contour interne des l` evres (A, B et S), les coordonnées x et y de la pastille haute, la réalisation acoustique, p.119
, clé " signifie " configuration, p.138
, une syllabe CV caractérisée par des paramètres labiaux différents d'un contextè a l'autre. En haut : la consonne [t] de la syllabe [ta] est modifiée par le contexte avant ( ` a gauche [? O] etàetà droite [a]), ce qui donne des allures différentes des paramètres labiaux (ici du contour interne) de la syllabe entre les instants A1 et A3. En bas : la syllabe [pa] est moins influencée par le contexte avant, Notons dans ces figures la variabilité des instants acoustiques par rapport au début et la fin de la transition labiale d'une syllabe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
, la main en premier, ensuite les l` evres " pour le schéma de fusion des informations labiale et manuelle s'appuyant sur un modèle ma??trema??treesclave, p.179
, Définition, p.28