. Aujourd-'hui, une nouvellè ere se profile : celle o` u le téléspectateur choisit et paie uniquement pour ce qu'il veut voir

L. Enfin and . Ere-conséquence-de-la-concurrence-est-la-convoitise-des-présentateurs, Le succès d'uné emission est lié sans aucun doutè a son concept, mais une part de son succès est dû aussì a son présentateur La période estivale, durant laquelle les productions de programmes de flux sont arrêtées, est la période propice aux décisions de maintien ou pas d'uné emission, de l'introduction de nouveaux programmes et du changement des présentateurs. L'´ eté 2006 a ´ eté marqué par des transferts de présentateurs d'une cha??nècha??nè a l'autre, dignes du mercato du Football. C'est dans ce contexte de rivalité que coexistent les cha??nescha??nes de télévision actuellement, dont nous explorerons plus en détail la fonction dans le chapitre 5, p.43

. La-télévision-interactive-et-mobile-depuis-le-début-de-la-télévision, Avec l'apparition des magnétoscopes, cela avait un peu changé : il suffisait d'enregistrer un programme et de le visualiser plus tard Avec l'apparition de terminaux plusévoluésplusévolués (set-top-box), il est aujourd'hui possible d'interrompre momentanément un programme (time shifting) Tout est fait pour le confort du téléspectateur : par exemple, on parle aujourd'hui d'une télévision haute définition avec une image et un son d'une qualité supérieuresupérieurè a celle d'aujourd'hui. La convergence des technologies issues de l'informatique, de la communication et de la télévision a fait appara??treappara??tre des services interactifs, comme la météo ou les guides de programmes, qui dans quelques années joueront des rôles de plus en plus importants. Ainsi, l'interactivité atteint son apogée avec la vidéò a la demande. Le téléspectateur pourra choisir les programmes qu'il veut, ou l'accèsaccèsà une cha??necha??ne quand il souhaite : il en na??trana??tra un certain individualisme quantàquantà l'´ ecoute et aux choix des programmes La télévision mobile, c'est-` a-dire visible sur des téléphones mobiles, des assistants personnels ou des lecteurs multimédias portables (par exemple l'iPod ), se développe, Star academy pour tester le marché en proposant dans un premier temps des résumés de cesémissionscesémissions dans un format très court. 1. Détection des transitions, 2005.

. Groupe-france-télévisions, La détection est ainsi simplifiée puisqu'il s'agit d'une détection d'identité : il n'y a ni misè a l'´ echelle, ni transformation, ni déplacement déplacementà prendre en compte. Les figures 50à a 50f sont des images extraites de différents jingles de différentes cha??nescha??nes présentant de tels invariants (encadrés en rouge) Nous proposons ainsi de détecter ces invariants afin de localiser les jingles publicitaires. La méthode utilisée pour cela est décrite dans la section 2.1 (page 169). Cependant, toutes les cha??nescha??nes n'ont pas d'invariants aussi simplesàsimplesà détecter ; par exemple, les figure 50g et 50h montrent différents jingles de la cha??necha??ne M6. Le tableau 28 (page 171) montre les résultats obtenus pour la détection de l'invariant des jingles publicitaires de France 2 (le mot (( publicité )) et le logo de France 2) De même sur France 2, la détection des bandes annonces et de l'autopromotion peutêtrepeutêtre détectée de la même façon, l'invariantétantinvariantétant cette fois le logo de France 2 seul, La section suivanté etablit la méthode de choix de la transition entre deuxémissionsdeuxémissions parmi les transitions candidates détectées

E. Annexe, Résultat de la structuration d'un journal de 20H sur France

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